The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 33
... novel where , as we have seen , patterns are stylizations full of fictive assumptions about exterior reality . In the strictly temporal environment of this " Novel without a Hero , " with its corresponding absence of absolutes or ideals ...
... novel where , as we have seen , patterns are stylizations full of fictive assumptions about exterior reality . In the strictly temporal environment of this " Novel without a Hero , " with its corresponding absence of absolutes or ideals ...
Pagina 105
... novel's expanse into a unit productive of a single thematic end , making the novel a machine in which every part derives its worth not intrinsic- ally but in terms of the surplus thematic value inhering in the produc- tion of meaning by ...
... novel's expanse into a unit productive of a single thematic end , making the novel a machine in which every part derives its worth not intrinsic- ally but in terms of the surplus thematic value inhering in the produc- tion of meaning by ...
Pagina 243
... novel and its criticism , if one is to form a full sense of the pos- sibilities opened up by a reflexive study of constitutive poetics . It is surely no longer controversial to note that the novel emerges with capi- talism , and that ...
... novel and its criticism , if one is to form a full sense of the pos- sibilities opened up by a reflexive study of constitutive poetics . It is surely no longer controversial to note that the novel emerges with capi- talism , and that ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing