The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 8
... novelist's sense of his own limitations and the modern novelist's sense of achievement in the face of those same limitations . Two recent studies are cause for optimism that we are moving in the right direction . Linda Hutcheon , for ...
... novelist's sense of his own limitations and the modern novelist's sense of achievement in the face of those same limitations . Two recent studies are cause for optimism that we are moving in the right direction . Linda Hutcheon , for ...
Pagina 203
... novelist does exist in his fiction " as much as the Victorian novelist did . 24 This existentialist reading suggests that the authorial god recasts himself " in the new theological image " of leaving others to their freedoms ( chap . 13 ) ...
... novelist does exist in his fiction " as much as the Victorian novelist did . 24 This existentialist reading suggests that the authorial god recasts himself " in the new theological image " of leaving others to their freedoms ( chap . 13 ) ...
Pagina 253
... Novelist ( Cambridge : Cambridge Univer- sity Press , 1954 ) . 16. McMaster , Thackeray , 13-22 . 17. At the same time , of course , the case upsets poetic justice and the principle of divine retribution from which it derives . Steyne ...
... Novelist ( Cambridge : Cambridge Univer- sity Press , 1954 ) . 16. McMaster , Thackeray , 13-22 . 17. At the same time , of course , the case upsets poetic justice and the principle of divine retribution from which it derives . Steyne ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing