The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 222
... object . Phallocentricity , apparently , perpetrates a horror upon both the object and the subject of its utterances , and to " author " the fantasies of such a culture is less an act of sovereign power than a submitting to the process ...
... object . Phallocentricity , apparently , perpetrates a horror upon both the object and the subject of its utterances , and to " author " the fantasies of such a culture is less an act of sovereign power than a submitting to the process ...
Pagina 233
... object ... which is such a terrible thing for the imagination ” ( 194 ) . The phantasm is a “ miraculous thing ” because it is the fictive product of the imaginary faculty , and it is a dream of this " lost object " that would complete ...
... object ... which is such a terrible thing for the imagination ” ( 194 ) . The phantasm is a “ miraculous thing ” because it is the fictive product of the imaginary faculty , and it is a dream of this " lost object " that would complete ...
Pagina 251
... object . " Neither critic nor author can be excluded from that " we " ( The Political Uncon- scious : Narrative as a ... object - it creates a ' vision ' of the object instead of serving as a means for knowing it . " Defamiliarization ...
... object . " Neither critic nor author can be excluded from that " we " ( The Political Uncon- scious : Narrative as a ... object - it creates a ' vision ' of the object instead of serving as a means for knowing it . " Defamiliarization ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing