The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 53
... omniscient narrator and the narra- tor as historian : for all its rhetorical and ideological potency , the his ... omniscient novelist sums up everything we would say about style and stance in voice . The omniscient narrator , that is ...
... omniscient narrator and the narra- tor as historian : for all its rhetorical and ideological potency , the his ... omniscient novelist sums up everything we would say about style and stance in voice . The omniscient narrator , that is ...
Pagina 54
... omniscient narrator voiced the power of fiction as a cultural institution treating other cultural institutions on the Victorian scene , a level of analytical awareness beyond Esther's narrative , and a sphere of activity precluding any ...
... omniscient narrator voiced the power of fiction as a cultural institution treating other cultural institutions on the Victorian scene , a level of analytical awareness beyond Esther's narrative , and a sphere of activity precluding any ...
Pagina 58
... omniscient narrator's praise is so po- tent that even being aware of it does not completely vitiate its effect . upon our judgments of the novel's characters - hence Thackeray's ability to use such a passage to prune our responses at ...
... omniscient narrator's praise is so po- tent that even being aware of it does not completely vitiate its effect . upon our judgments of the novel's characters - hence Thackeray's ability to use such a passage to prune our responses at ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing