The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 10
... paradigm [ ' paradigms ' being similar to Eco's ' models ' ] carry scientists and those who learn from them closer ... paradigm - shaped way of seeing " is not some hypothetical ' fixed ' vision , but vision through another paradigm ...
... paradigm [ ' paradigms ' being similar to Eco's ' models ' ] carry scientists and those who learn from them closer ... paradigm - shaped way of seeing " is not some hypothetical ' fixed ' vision , but vision through another paradigm ...
Pagina 225
... paradigm invoked for each process . The implications of deriving both creative and critical discourse from cultural paradigms are twofold . One can argue that , as tradition has it , they differ , though for reasons different from those ...
... paradigm invoked for each process . The implications of deriving both creative and critical discourse from cultural paradigms are twofold . One can argue that , as tradition has it , they differ , though for reasons different from those ...
Pagina 226
... paradigms , not the accuracy of correspon- dence , that threaten a paradigm's currency in a community . What does it mean , then , to view criticism as a highly stylized form of discourse among many other equally stylized forms ? It ...
... paradigms , not the accuracy of correspon- dence , that threaten a paradigm's currency in a community . What does it mean , then , to view criticism as a highly stylized form of discourse among many other equally stylized forms ? It ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing