The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 21
... passage and itself compounded of the shrewdness of middle - class self - improvement literature and the preten- tious emulation provoked by fiction of the high and the fashionable- still two best - selling types of popular literature ...
... passage and itself compounded of the shrewdness of middle - class self - improvement literature and the preten- tious emulation provoked by fiction of the high and the fashionable- still two best - selling types of popular literature ...
Pagina 22
... passage is to raise the issues of market versus moral values , to cause the reader to consider the complications of the case more thoroughly , and to bring out other such referential themes ; but by undermining the stability from which ...
... passage is to raise the issues of market versus moral values , to cause the reader to consider the complications of the case more thoroughly , and to bring out other such referential themes ; but by undermining the stability from which ...
Pagina 46
... passage is that Amelia as she really is and Amelia as she melts into stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the ...
... passage is that Amelia as she really is and Amelia as she melts into stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing