The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 21
... passage and itself compounded of the shrewdness of middle - class self - improvement literature and the preten- tious emulation provoked by fiction of the high and the fashionable- still two best - selling types of popular literature ...
... passage and itself compounded of the shrewdness of middle - class self - improvement literature and the preten- tious emulation provoked by fiction of the high and the fashionable- still two best - selling types of popular literature ...
Pagina 22
... passage is to raise the issues of market versus moral values , to cause the reader to consider the complications of the case more thoroughly , and to bring out other such referential themes ; but by undermining the stability from which ...
... passage is to raise the issues of market versus moral values , to cause the reader to consider the complications of the case more thoroughly , and to bring out other such referential themes ; but by undermining the stability from which ...
Pagina 46
... passage is that Amelia as she really is and Amelia as she melts into stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the ...
... passage is that Amelia as she really is and Amelia as she melts into stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing