The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 48
... Perhaps the passage does refer us to the level of morality rather than of event , and perhaps its reticence has much to do with propriety . But , literally , it asks “ Who could tell what was truth which came from those lips ? " thus ...
... Perhaps the passage does refer us to the level of morality rather than of event , and perhaps its reticence has much to do with propriety . But , literally , it asks “ Who could tell what was truth which came from those lips ? " thus ...
Pagina 112
... perhaps man- dated by his preoccupations with economic relations . Quentin , of course , focuses explicitly upon the abstract schema by which his culture has equipped him , poorly as it turns out , to organize experience . But he lacks ...
... perhaps man- dated by his preoccupations with economic relations . Quentin , of course , focuses explicitly upon the abstract schema by which his culture has equipped him , poorly as it turns out , to organize experience . But he lacks ...
Pagina 118
... Perhaps , then , to a greater extent than he often articulated , Lawrence's burning " essentiality " holds some important social themes at bay , themes that nonetheless impinge sufficiently to lead him to " the whole thing " that ...
... Perhaps , then , to a greater extent than he often articulated , Lawrence's burning " essentiality " holds some important social themes at bay , themes that nonetheless impinge sufficiently to lead him to " the whole thing " that ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing