The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 159
... play . The abundant and overt play with actors serves to take the existential- ist cliché that inauthenticity is role playing and fold it over more con- temporary intimations of an " authenticity " without ground . Hence Lance complains ...
... play . The abundant and overt play with actors serves to take the existential- ist cliché that inauthenticity is role playing and fold it over more con- temporary intimations of an " authenticity " without ground . Hence Lance complains ...
Pagina 222
... play the role of author as semiotic being " reconfiguring " reality in ways that may well finally result in the " new possibilities for meaning " we found Eco advancing as the heart of the ideologically charged aesthetic text . If ...
... play the role of author as semiotic being " reconfiguring " reality in ways that may well finally result in the " new possibilities for meaning " we found Eco advancing as the heart of the ideologically charged aesthetic text . If ...
Pagina 247
... play . The one seeks to decipher , dreams of deciphering a truth or an origin which escapes play and the order of the sign , and which lives the necessity of interpre- tation as an exile [ from its own pure Presence and Truth ] . The ...
... play . The one seeks to decipher , dreams of deciphering a truth or an origin which escapes play and the order of the sign , and which lives the necessity of interpre- tation as an exile [ from its own pure Presence and Truth ] . The ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing