The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 78
... plot - Flora must make her own . Hence Captain Anthony's arm becomes a connection , and his plot for her the " captivity " in which she finds some margins within which to dwell . As for the past , she begins early on to reconstruct that ...
... plot - Flora must make her own . Hence Captain Anthony's arm becomes a connection , and his plot for her the " captivity " in which she finds some margins within which to dwell . As for the past , she begins early on to reconstruct that ...
Pagina 80
Narrative and the Constitutive Poetics of Culture Robert Siegle. three or more individual plots that the narrative lines are ... plot of Western culture and to take the Congo with him ; the multitude of ancillary narrators who watch and ...
Narrative and the Constitutive Poetics of Culture Robert Siegle. three or more individual plots that the narrative lines are ... plot of Western culture and to take the Congo with him ; the multitude of ancillary narrators who watch and ...
Pagina 110
... plots displacing any more direct reading of history , function as the confines of subjectivity in James . But seen reflexively , they also function within a negative dialectic in which . any particular plot is critiqued and by which the ...
... plots displacing any more direct reading of history , function as the confines of subjectivity in James . But seen reflexively , they also function within a negative dialectic in which . any particular plot is critiqued and by which the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing