The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 50
... poet , and another as a historian . The poet can relate and sing things , not as they were but as they should have been , without in any way affecting the truth of the matter . " 25 It is a slightly confused tripartite confrontation ...
... poet , and another as a historian . The poet can relate and sing things , not as they were but as they should have been , without in any way affecting the truth of the matter . " 25 It is a slightly confused tripartite confrontation ...
Pagina 95
... poet Carleon Anthony's description of his aim " to glorify the result of six thousand years ' evolution towards the refine- ment of thought , manners , and feelings " ( 38 ) . Even Marlow cannot re- frain from pointing out the ...
... poet Carleon Anthony's description of his aim " to glorify the result of six thousand years ' evolution towards the refine- ment of thought , manners , and feelings " ( 38 ) . Even Marlow cannot re- frain from pointing out the ...
Pagina 134
... poet's ( or poetic protagonist's ) mind - rather difficult . Indeed , the attempt requires that one have faith in the means of perception , its capacity to elaborate a sufficiently complex model for its subject , and the accessibility ...
... poet's ( or poetic protagonist's ) mind - rather difficult . Indeed , the attempt requires that one have faith in the means of perception , its capacity to elaborate a sufficiently complex model for its subject , and the accessibility ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing