The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 3
... possible topics and their po- tentially simultaneous achievement ( its completed course points every- where at once ) ... possible , has not al- ready preformulated its conclusions , that can let the text prescribe its own terms , insofar ...
... possible topics and their po- tentially simultaneous achievement ( its completed course points every- where at once ) ... possible , has not al- ready preformulated its conclusions , that can let the text prescribe its own terms , insofar ...
Pagina 13
... possible arrays of coded cultural behaviors ) . Hence the importance of a close attention to the implications of narra- tive reflexivity and constitutive poetics : we find here a blueprint of the basic cultural act that is in the final ...
... possible arrays of coded cultural behaviors ) . Hence the importance of a close attention to the implications of narra- tive reflexivity and constitutive poetics : we find here a blueprint of the basic cultural act that is in the final ...
Pagina 214
... possible fruits each thing might bear , the mixture of both identity ( the transfer of traits from thing to form ) and difference ( each possible form differs both from the other forms and from the thing ) . The theme of difference ...
... possible fruits each thing might bear , the mixture of both identity ( the transfer of traits from thing to form ) and difference ( each possible form differs both from the other forms and from the thing ) . The theme of difference ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing