The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 22
... question literally rather than rhetorically- " Who could tell what was truth ? " - for the telling would require a stance outside the cultural framework . 7 Another striking passage that caused even more controversy among contemporary ...
... question literally rather than rhetorically- " Who could tell what was truth ? " - for the telling would require a stance outside the cultural framework . 7 Another striking passage that caused even more controversy among contemporary ...
Pagina 48
... question rests upon a correlative deflection of such questions away from the models of history , biography , and knowledge in general we hold normally sacred and reliable . We proceed as a matter of course as if we “ knew everything ...
... question rests upon a correlative deflection of such questions away from the models of history , biography , and knowledge in general we hold normally sacred and reliable . We proceed as a matter of course as if we “ knew everything ...
Pagina 51
... question in our own response it may be . One would have to know the line between history and fiction to answer the question definitively and thus not to feel the sense of loss that pervades the atmosphere in the wake of the don . Cer ...
... question in our own response it may be . One would have to know the line between history and fiction to answer the question definitively and thus not to feel the sense of loss that pervades the atmosphere in the wake of the don . Cer ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing