The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 62
... Reader as a Narrative Stance Indeed , one could argue that the reader is the real focus of all this reflexive play with stance , and especially with the stance of the com- mentator - one that could function out of any of the three major ...
... Reader as a Narrative Stance Indeed , one could argue that the reader is the real focus of all this reflexive play with stance , and especially with the stance of the com- mentator - one that could function out of any of the three major ...
Pagina 63
... reader a great deal of freedom , and it requires that he or she come out of any passive role and supply the conventional norms absent in young Mrs. Bullock . 3. The more reflexive the exercise of this device , the more it reveals the ...
... reader a great deal of freedom , and it requires that he or she come out of any passive role and supply the conventional norms absent in young Mrs. Bullock . 3. The more reflexive the exercise of this device , the more it reveals the ...
Pagina 187
... reader , a line that somehow manages to lead us past the very obvious way epigraphs are in fact barriers — they are , after all , the words of other authors , not " his " or " hers " whom we read . In this particular case , our ...
... reader , a line that somehow manages to lead us past the very obvious way epigraphs are in fact barriers — they are , after all , the words of other authors , not " his " or " hers " whom we read . In this particular case , our ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing