The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 5
... Reality seems too complex and multitudinous to fit into the " coherent artifice " he might structure , and hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one ...
... Reality seems too complex and multitudinous to fit into the " coherent artifice " he might structure , and hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one ...
Pagina 25
... reality , that reality is always assimilated to some form of verbal and conceptual stylization . Indeed , its " realistic " force may well depend upon just how subtly it uses reigning stylizations to make its material consistent with ...
... reality , that reality is always assimilated to some form of verbal and conceptual stylization . Indeed , its " realistic " force may well depend upon just how subtly it uses reigning stylizations to make its material consistent with ...
Pagina 201
... reality " in which any number of fictive frames coexist . When Fowles goes on to pinpoint the issue as the “ more valid ” reality of characters described as beyond his control , to what is he pointing if not the network of intersecting ...
... reality " in which any number of fictive frames coexist . When Fowles goes on to pinpoint the issue as the “ more valid ” reality of characters described as beyond his control , to what is he pointing if not the network of intersecting ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing