The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 5
... Reality seems too complex and multitudinous to fit into the " coherent artifice " he might structure , and hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one ...
... Reality seems too complex and multitudinous to fit into the " coherent artifice " he might structure , and hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one ...
Pagina 25
... reality , that reality is always assimilated to some form of verbal and conceptual stylization . Indeed , its " realistic " force may well depend upon just how subtly it uses reigning stylizations to make its material consistent with ...
... reality , that reality is always assimilated to some form of verbal and conceptual stylization . Indeed , its " realistic " force may well depend upon just how subtly it uses reigning stylizations to make its material consistent with ...
Pagina 201
... reality " in which any number of fictive frames coexist . When Fowles goes on to pinpoint the issue as the “ more valid ” reality of characters described as beyond his control , to what is he pointing if not the network of intersecting ...
... reality " in which any number of fictive frames coexist . When Fowles goes on to pinpoint the issue as the “ more valid ” reality of characters described as beyond his control , to what is he pointing if not the network of intersecting ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing