The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 6
... reflect " in the sense of bouncing back from mental walls . " Hence he defines what he calls the " self - concious ... reflects a greater fidelity to reality than other kinds of fiction " ( 70 ) . How , if we invalidate authorial ...
... reflect " in the sense of bouncing back from mental walls . " Hence he defines what he calls the " self - concious ... reflects a greater fidelity to reality than other kinds of fiction " ( 70 ) . How , if we invalidate authorial ...
Pagina 172
... reflected " is the " I " from language , as if the “ Holy Ghost ” of selfhood were an illusion reflected beside us as we ... reflect different shapes and its recorders register new sounds , then the metaphysical sense of the transcendent ...
... reflected " is the " I " from language , as if the “ Holy Ghost ” of selfhood were an illusion reflected beside us as we ... reflect different shapes and its recorders register new sounds , then the metaphysical sense of the transcendent ...
Pagina 174
... reflects or should reflect an organic unity of theme and form ( presumably derived as an effect of one or both of the first two premises we have questioned ) . This presumed unity can be a powerful interpretive tool , though we have ...
... reflects or should reflect an organic unity of theme and form ( presumably derived as an effect of one or both of the first two premises we have questioned ) . This presumed unity can be a powerful interpretive tool , though we have ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing