The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 2
... reflexive , self - reflexive , or self - conscious narrative , we think of novels like Tristram Shandy that explicitly talk about them- selves and hence turn back upon themselves . But we know that Tristram Shandy also has a great deal ...
... reflexive , self - reflexive , or self - conscious narrative , we think of novels like Tristram Shandy that explicitly talk about them- selves and hence turn back upon themselves . But we know that Tristram Shandy also has a great deal ...
Pagina 3
... reflexive . My use of " reflexive , " however , suggests that reflexivity uncovers a great deal about the whole narrative circuit - the codes by which we organize reality , the means by which we organize words about it into narrative ...
... reflexive . My use of " reflexive , " however , suggests that reflexivity uncovers a great deal about the whole narrative circuit - the codes by which we organize reality , the means by which we organize words about it into narrative ...
Pagina 8
... reflexive moments . But overschematic notions of literary history aside , Waugh's study pursues a number of the more radical formal and philosophical implications of overt reflexivity in current fiction , and her command of this ...
... reflexive moments . But overschematic notions of literary history aside , Waugh's study pursues a number of the more radical formal and philosophical implications of overt reflexivity in current fiction , and her command of this ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing