The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 226
... relation to other discourses , nonetheless gave him sure grounds for proceeding . Rationalism does not make him superior to the misty metaphorist ; imaginative poetic genius does not subordinate him to the role of a support service ...
... relation to other discourses , nonetheless gave him sure grounds for proceeding . Rationalism does not make him superior to the misty metaphorist ; imaginative poetic genius does not subordinate him to the role of a support service ...
Pagina 236
... relations that do not figure as basic in Abrams's figure but that nonetheless are vital to an attempt at such a general orientation to critical thinking . The relation . of author to text has classically been that of intention , however ...
... relations that do not figure as basic in Abrams's figure but that nonetheless are vital to an attempt at such a general orientation to critical thinking . The relation . of author to text has classically been that of intention , however ...
Pagina 237
... relations among formal units are to be recognized , and what rules are to govern the process of articulating those relations in the form of criticism . Such a relation is conditioned both by the text at hand and by the theoretical ...
... relations among formal units are to be recognized , and what rules are to govern the process of articulating those relations in the form of criticism . Such a relation is conditioned both by the text at hand and by the theoretical ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing