The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 30
... rhetorical coherence . " But insofar as such approaches still treat Vanity Fair as a univocal rhetorical construct , they obscure basic facts about the novel - the narrator , for example , is not a single unified identity but a complex ...
... rhetorical coherence . " But insofar as such approaches still treat Vanity Fair as a univocal rhetorical construct , they obscure basic facts about the novel - the narrator , for example , is not a single unified identity but a complex ...
Pagina 40
... rhetorical figure as his name implies ; Dora is herself a figure of Victorian male desire and stylization ; as their inactivity in the novel suggests , neither is really there except as a blank space in the semiotic network signifying ...
... rhetorical figure as his name implies ; Dora is herself a figure of Victorian male desire and stylization ; as their inactivity in the novel suggests , neither is really there except as a blank space in the semiotic network signifying ...
Pagina 53
... rhetorical positioning in relation to each other . We might wish to qualify Miller's emphasis upon how " free " such a struggle is , in light of the force of semiotic conven- tions always already internalized and the pressure of various ...
... rhetorical positioning in relation to each other . We might wish to qualify Miller's emphasis upon how " free " such a struggle is , in light of the force of semiotic conven- tions always already internalized and the pressure of various ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing