The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 20
... role she attempts to play out of the pages of the Victorian equivalent of Cosmo- politan . Calling the senior Osborne " the old aristocrat " indicates the stereotype he tries with only partial success to work himself into . When Miss ...
... role she attempts to play out of the pages of the Victorian equivalent of Cosmo- politan . Calling the senior Osborne " the old aristocrat " indicates the stereotype he tries with only partial success to work himself into . When Miss ...
Pagina 109
... role to play , he compensates by projecting his stoic endur- ance in the face of the beast ; his beast , though , is precisely the history . that leaves him irrelevant and unanointed for the larger role his egoism yearns to fill . He ...
... role to play , he compensates by projecting his stoic endur- ance in the face of the beast ; his beast , though , is precisely the history . that leaves him irrelevant and unanointed for the larger role his egoism yearns to fill . He ...
Pagina 222
... role and the subjection to power in its passive contrary , even if the one is disguised as interpretation and the other as " recording . " Hence the will to play is a far from frivolous attempt to reconceive the relation between the two ...
... role and the subjection to power in its passive contrary , even if the one is disguised as interpretation and the other as " recording . " Hence the will to play is a far from frivolous attempt to reconceive the relation between the two ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing