The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 123
... romantic hero posing a number of difficult questions that trouble his own assumptions about histories and the characters who animate them . For not only does the novel demonstrate , as Robert B. Heilman so aptly put it , “ the failure ...
... romantic hero posing a number of difficult questions that trouble his own assumptions about histories and the characters who animate them . For not only does the novel demonstrate , as Robert B. Heilman so aptly put it , “ the failure ...
Pagina 134
... romantic novel ” —recording the growth of the poet's ( or poetic protagonist's ) mind - rather difficult . Indeed , the attempt requires that one have faith in the means of perception , its capacity to elaborate a sufficiently complex ...
... romantic novel ” —recording the growth of the poet's ( or poetic protagonist's ) mind - rather difficult . Indeed , the attempt requires that one have faith in the means of perception , its capacity to elaborate a sufficiently complex ...
Pagina 146
... romantic novel , but mystification about culture itself and about narrative's place within its workings as a means of sustaining the cultural myth of selfhood . Narrative and Selfhood The novel's reflexive dimension thus achieves a ...
... romantic novel , but mystification about culture itself and about narrative's place within its workings as a means of sustaining the cultural myth of selfhood . Narrative and Selfhood The novel's reflexive dimension thus achieves a ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing