The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 88
... seems to lie at the very centre of the world , as the ship which carries one always remains the centre figure of the round horizon " ( 300 ) . The sea intensi- fies , that is , the natural egoism of the individual in arranging " the ...
... seems to lie at the very centre of the world , as the ship which carries one always remains the centre figure of the round horizon " ( 300 ) . The sea intensi- fies , that is , the natural egoism of the individual in arranging " the ...
Pagina 172
... seems to talk quite comfortably about " the nothing- ness at the still centre of our being - that nothingness we mask by talk- ing of ' I ' " ( 86 ) . Hence if we are to talk of the authorial self , we would be referring to one point in ...
... seems to talk quite comfortably about " the nothing- ness at the still centre of our being - that nothingness we mask by talk- ing of ' I ' " ( 86 ) . Hence if we are to talk of the authorial self , we would be referring to one point in ...
Pagina 192
... seems coeval with the source of the narrative it explains - it seems , in other words , to be as close to an unmediated gloss on the authorial conception as we can get within the narrative . Although much of the commentary in The French ...
... seems coeval with the source of the narrative it explains - it seems , in other words , to be as close to an unmediated gloss on the authorial conception as we can get within the narrative . Although much of the commentary in The French ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing