The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 88
... selfhood and some sort of transcendental or teleological selfhood : " At sea , you know , there is no gallery . You hear no tormenting echoes of your own littleness there , where either a great elemental voice roars defiantly under the ...
... selfhood and some sort of transcendental or teleological selfhood : " At sea , you know , there is no gallery . You hear no tormenting echoes of your own littleness there , where either a great elemental voice roars defiantly under the ...
Pagina 133
... selfhood of Jeremiah ) fol- lows a parallel displacement into conventions of discourse . This threat to our usual assumptions about selfhood is related to the still more general problem of interpretation . If both narrator and pro ...
... selfhood of Jeremiah ) fol- lows a parallel displacement into conventions of discourse . This threat to our usual assumptions about selfhood is related to the still more general problem of interpretation . If both narrator and pro ...
Pagina 271
... Selfhood : and critical method , 3 , 6-7 , 8 , 19 ; and ideology , 25 , 115 , 118 ; as con- structed , 68 , 88 , 95 , 198-99 , 218-19 ; as semiotic , 169-77 . See also Subject Senior , Nassau , 253 n . 19 Senn , Werner , 255 n . 5 ...
... Selfhood : and critical method , 3 , 6-7 , 8 , 19 ; and ideology , 25 , 115 , 118 ; as con- structed , 68 , 88 , 95 , 198-99 , 218-19 ; as semiotic , 169-77 . See also Subject Senior , Nassau , 253 n . 19 Senn , Werner , 255 n . 5 ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing