The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 40
... semiotic network signifying in relation to all the other signs they differ from . Significantly , of course , both these semiotic characters die , washed up on the narrative beach , their rhetorical power washed out for a protagonist ...
... semiotic network signifying in relation to all the other signs they differ from . Significantly , of course , both these semiotic characters die , washed up on the narrative beach , their rhetorical power washed out for a protagonist ...
Pagina 41
... semiotic economy in which characters as signs bear the traces of all from which they differ , including themselves , and thus " mean " and function in narrative sentences more according to context than essence . Pip expects an organic ...
... semiotic economy in which characters as signs bear the traces of all from which they differ , including themselves , and thus " mean " and function in narrative sentences more according to context than essence . Pip expects an organic ...
Pagina 239
... semiotic understanding of its key terms , and it is within the context of that semiotic understanding that the still larger implications of reflexivity are to be found . Perhaps enough has already been said to indicate the outlines of ...
... semiotic understanding of its key terms , and it is within the context of that semiotic understanding that the still larger implications of reflexivity are to be found . Perhaps enough has already been said to indicate the outlines of ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing