The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 2
... sense of " reflex " is essential in a number of ways to the use I wish to make of the term . I want to talk about something that turns back upon itself in the very process of its getting out again to where it was pointing before it ...
... sense of " reflex " is essential in a number of ways to the use I wish to make of the term . I want to talk about something that turns back upon itself in the very process of its getting out again to where it was pointing before it ...
Pagina 20
... sense of himself as a military buck complete with epaulets and mustachios . And chapter 41 , " In Which Becky Revisits the Halls of Her Ancestors , " delights the reader with its obvious sarcasm at the expense of the novel of high ...
... sense of himself as a military buck complete with epaulets and mustachios . And chapter 41 , " In Which Becky Revisits the Halls of Her Ancestors , " delights the reader with its obvious sarcasm at the expense of the novel of high ...
Pagina 244
... sense that the order of things is arbitrary anyway , so why revere or die for the man ? That is , the op- pressed at the moment they achieve a reflexive or revolutionary sense of themselves - the two often amount to the same thing ...
... sense that the order of things is arbitrary anyway , so why revere or die for the man ? That is , the op- pressed at the moment they achieve a reflexive or revolutionary sense of themselves - the two often amount to the same thing ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing