The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 178
... sexual ignorance with a low degree of sexual pleasure . " 11 His discussion seeks to deter- mine not only the reader's reaction - a bold use of the author's author- ity - but also the logical principle by which he reacts — perhaps an ...
... sexual ignorance with a low degree of sexual pleasure . " 11 His discussion seeks to deter- mine not only the reader's reaction - a bold use of the author's author- ity - but also the logical principle by which he reacts — perhaps an ...
Pagina 181
... sexual connotations of the relations among the author , the narrator , his characters , and his readers in order to define the discursive roles governing the principals ' participation . At the very least , one is reminded by this ...
... sexual connotations of the relations among the author , the narrator , his characters , and his readers in order to define the discursive roles governing the principals ' participation . At the very least , one is reminded by this ...
Pagina 207
... sexual energy behind fairy tales is seen not only in the figure of the witch but also in that of the good fairy who " floats , ruby - tipped breasts downward , legs dangling and dimpled knees bent slightly , glowing buttocks arched up ...
... sexual energy behind fairy tales is seen not only in the figure of the witch but also in that of the good fairy who " floats , ruby - tipped breasts downward , legs dangling and dimpled knees bent slightly , glowing buttocks arched up ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing