The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 150
... shape the lives of the citizens it regulates . Form and history remain incommensurate . In a curious way Rabbit Angstrom , at least the Rabbit of Rabbit , Run , shares these dilemmas with Jeremiah Beaumont , and John Updike moves ...
... shape the lives of the citizens it regulates . Form and history remain incommensurate . In a curious way Rabbit Angstrom , at least the Rabbit of Rabbit , Run , shares these dilemmas with Jeremiah Beaumont , and John Updike moves ...
Pagina 181
... shapes the narra- tive , the still demanding and , in their own way , rigid sex roles shadowing our own attempts to love - all may be as authoritarian as anything " suffered " by the Victorians and may shape a different style of fervor ...
... shapes the narra- tive , the still demanding and , in their own way , rigid sex roles shadowing our own attempts to love - all may be as authoritarian as anything " suffered " by the Victorians and may shape a different style of fervor ...
Pagina 242
... shape of the interrelations among fictional ele- ments , and second of arresting the constant movement , undulation ... shapes that pass by like the “ hawk or whatever bird it was❞ Jere- miah Beaumont seeks to capture . We need not ...
... shape of the interrelations among fictional ele- ments , and second of arresting the constant movement , undulation ... shapes that pass by like the “ hawk or whatever bird it was❞ Jere- miah Beaumont seeks to capture . We need not ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing