The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 27
... social services under the yoke of technocratic efficiency ( and predictably enough conflicts with the fam- ily as an older social form claiming the same turf ) . The church , of course , works through Archdeacon Grantly contending for ...
... social services under the yoke of technocratic efficiency ( and predictably enough conflicts with the fam- ily as an older social form claiming the same turf ) . The church , of course , works through Archdeacon Grantly contending for ...
Pagina 60
... social microcosm of the ship , and each reveals part of Melville's broader social analysis . Billy , the worker in this economic drama , literally has no voice : he can submit , or he can strike out in futile and self - destructive ...
... social microcosm of the ship , and each reveals part of Melville's broader social analysis . Billy , the worker in this economic drama , literally has no voice : he can submit , or he can strike out in futile and self - destructive ...
Pagina 111
... social forms and the force of desire . The struggle to contain the threats and contradictions implicit in experience is an attempt to achieve an enabling power over what menaces one's equa- nimity , whether that power appears in terms ...
... social forms and the force of desire . The struggle to contain the threats and contradictions implicit in experience is an attempt to achieve an enabling power over what menaces one's equa- nimity , whether that power appears in terms ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing