The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 27
... social services under the yoke of technocratic efficiency ( and predictably enough conflicts with the fam- ily as an older social form claiming the same turf ) . The church , of course , works through Archdeacon Grantly contending for ...
... social services under the yoke of technocratic efficiency ( and predictably enough conflicts with the fam- ily as an older social form claiming the same turf ) . The church , of course , works through Archdeacon Grantly contending for ...
Pagina 60
... social microcosm of the ship , and each reveals part of Melville's broader social analysis . Billy , the worker in this economic drama , literally has no voice : he can submit , or he can strike out in futile and self - destructive ...
... social microcosm of the ship , and each reveals part of Melville's broader social analysis . Billy , the worker in this economic drama , literally has no voice : he can submit , or he can strike out in futile and self - destructive ...
Pagina 111
... social forms and the force of desire . The struggle to contain the threats and contradictions implicit in experience is an attempt to achieve an enabling power over what menaces one's equa- nimity , whether that power appears in terms ...
... social forms and the force of desire . The struggle to contain the threats and contradictions implicit in experience is an attempt to achieve an enabling power over what menaces one's equa- nimity , whether that power appears in terms ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing