The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 80
... spirit " ( 251 ) . At this point we can hypothesize that the " strange spirit " is that of the narrator exercising godlike arrogance ( what Marlow calls " Satanic conceit " when Anthony exerts it [ 351 ] ) , positing a new testament of ...
... spirit " ( 251 ) . At this point we can hypothesize that the " strange spirit " is that of the narrator exercising godlike arrogance ( what Marlow calls " Satanic conceit " when Anthony exerts it [ 351 ] ) , positing a new testament of ...
Pagina 86
... spirit and leaves it " overdriven " ashore , " what with the fads and proprieties and the ceremonies and affectations " that are " a perfect terror to a simple man " ( 221 ) . The moral component , however , is much more intense ...
... spirit and leaves it " overdriven " ashore , " what with the fads and proprieties and the ceremonies and affectations " that are " a perfect terror to a simple man " ( 221 ) . The moral component , however , is much more intense ...
Pagina 192
... spirit to fulfill its manifest destiny ( or for the pessimist , its equally manifest damnation ) . One might well go back to the epigraph and substitute " writing " for " history " and " con- ventions " for " men . " That is , Marx is ...
... spirit to fulfill its manifest destiny ( or for the pessimist , its equally manifest damnation ) . One might well go back to the epigraph and substitute " writing " for " history " and " con- ventions " for " men . " That is , Marx is ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing