The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 51
... story " inheres in the selection of details and their foregrounding through the formal techniques of the narrative , decisions determined by specific preexisting interpretive out- looks . Both , that is , see the materials of the story ...
... story " inheres in the selection of details and their foregrounding through the formal techniques of the narrative , decisions determined by specific preexisting interpretive out- looks . Both , that is , see the materials of the story ...
Pagina 121
... story as it comes . " Surely the wind and sea give us both a primordial rhythm the story seeks to emulate and a source of " static " to disrupt any sure transmission even of a story that seems to just " come " to a speaker facing a ...
... story as it comes . " Surely the wind and sea give us both a primordial rhythm the story seeks to emulate and a source of " static " to disrupt any sure transmission even of a story that seems to just " come " to a speaker facing a ...
Pagina 124
... story of Rachel Jordan , and that was the story he heard . We cannot be entirely sure of the story he did not hear , for the diary of Rachel Jordan is silent , and Jeremiah's account of what she was to tell him later of that period is ...
... story of Rachel Jordan , and that was the story he heard . We cannot be entirely sure of the story he did not hear , for the diary of Rachel Jordan is silent , and Jeremiah's account of what she was to tell him later of that period is ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing