The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 5
... structure , and hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one sense distant from reality . " This kind of reference is in the " initial con- ception " of ...
... structure , and hence the reflexive novelist refers to his work as " the artifice which it must perforce be as selected and , hence , in one sense distant from reality . " This kind of reference is in the " initial con- ception " of ...
Pagina 106
... structures thought and action . Jameson's analysis of the political unconscious , in other words , is precisely what ... structure ) . Moreover , the difference in their comprehension of that story derives from Marlow's having already ...
... structures thought and action . Jameson's analysis of the political unconscious , in other words , is precisely what ... structure ) . Moreover , the difference in their comprehension of that story derives from Marlow's having already ...
Pagina 228
... structure , or is it also the inherent turmoil of that structure itself , especially as it interacts with that of the critic's own dynamic interplay of code elements to produce constantly different possibili- ties for constituting ...
... structure , or is it also the inherent turmoil of that structure itself , especially as it interacts with that of the critic's own dynamic interplay of code elements to produce constantly different possibili- ties for constituting ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing