The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 37
... stylized sentimental heroine call attention to that stylization by her utterly conventional responses . Second , we ... stylized behavior . If perception depends upon correspondence to stylized patterns , then this woman who is ...
... stylized sentimental heroine call attention to that stylization by her utterly conventional responses . Second , we ... stylized behavior . If perception depends upon correspondence to stylized patterns , then this woman who is ...
Pagina 46
... stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the epistemological limitations implicit in " portrait " ( i.e. , selec- tion of ...
... stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the epistemological limitations implicit in " portrait " ( i.e. , selec- tion of ...
Pagina 226
... stylized form of discourse among many other equally stylized forms ? It means , first of all , that it should not seek to define a fundamental nature of either literature or criticism , at least in the sense of a structure there in any ...
... stylized form of discourse among many other equally stylized forms ? It means , first of all , that it should not seek to define a fundamental nature of either literature or criticism , at least in the sense of a structure there in any ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
Amelia Angela Carter argues assumptions authentic Barral Becky becomes chance chapter characters codes coherence concept Conrad consciousness conventions course cultural discourse economic elements epigraphs example existentialist experience fact feels fiction figure final Flora Fowles Fowles's frame French Lieutenant's Woman function Fyne ground Hence human ideological illusion imagination implications individual interpretation intertextual irony Jeremiah John Fowles language lines literary logocentric Lord Jim Marlow material means Metafiction metaphor metaphysical moral narrative narrator narrator's nature Nietzsche Nietzschean Nouveau Roman novel novelist omniscient paradigm passage perhaps philosophical play plot possible Powell Rabbit reader reading reality reflexive relation rhetorical Robert Penn Warren role romantic seems selfhood semiotic sense sexual shape social stance story structure stylized suggests tells textual Thackeray Thackeray's theme theory things tion tive traditional truth University Press Vanity Fair Victorian voice Wayne Booth words writing