The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 37
... stylized sentimental heroine call attention to that stylization by her utterly conventional responses . Second , we ... stylized behavior . If perception depends upon correspondence to stylized patterns , then this woman who is ...
... stylized sentimental heroine call attention to that stylization by her utterly conventional responses . Second , we ... stylized behavior . If perception depends upon correspondence to stylized patterns , then this woman who is ...
Pagina 46
... stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the epistemological limitations implicit in " portrait " ( i.e. , selec- tion of ...
... stylized perceptions ( by Dobbin , by the narrator ) become so indis- tinguishable that the historical effort to achieve a portrait never can escape the epistemological limitations implicit in " portrait " ( i.e. , selec- tion of ...
Pagina 226
... stylized form of discourse among many other equally stylized forms ? It means , first of all , that it should not seek to define a fundamental nature of either literature or criticism , at least in the sense of a structure there in any ...
... stylized form of discourse among many other equally stylized forms ? It means , first of all , that it should not seek to define a fundamental nature of either literature or criticism , at least in the sense of a structure there in any ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing