The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 77
... things meant in the scheme of creation ( if indeed any- thing had a meaning ) , or were just piled - up matter without any sense " ( 337 ) . The contrast between the orderly " scheme of creation " and the fear that things are " just ...
... things meant in the scheme of creation ( if indeed any- thing had a meaning ) , or were just piled - up matter without any sense " ( 337 ) . The contrast between the orderly " scheme of creation " and the fear that things are " just ...
Pagina 141
... things , and with good reason . One cannot say that truth in this novel is like a shore with its figurative ... things , as an " apparatus " for " taking possession of things " ( 274 ) , as " a very well acquired habit of belief " that ...
... things , and with good reason . One cannot say that truth in this novel is like a shore with its figurative ... things , as an " apparatus " for " taking possession of things " ( 274 ) , as " a very well acquired habit of belief " that ...
Pagina 144
... thing itself , are fictions that leap across the gap between our perceptions of things ( because " all sense perceptions are permeated with value judgments " [ 275 ] ) and the things themselves , between the word as figure and the ...
... thing itself , are fictions that leap across the gap between our perceptions of things ( because " all sense perceptions are permeated with value judgments " [ 275 ] ) and the things themselves , between the word as figure and the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing