The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 63
... tives are deceptive ( both are extremes and purely economic patterns that thus exclude any number of alternatives ... tive poetics , the more it reveals various indexes of provinciality in the norm it brings into play . The following ...
... tives are deceptive ( both are extremes and purely economic patterns that thus exclude any number of alternatives ... tive poetics , the more it reveals various indexes of provinciality in the norm it brings into play . The following ...
Pagina 104
... tive project in which allusions to that internal but suppressed territory are woven into a fiction of the whole . The courage of Chance in sounding the analogical echoes among meta- physics , selfhood , marriage , society , language ...
... tive project in which allusions to that internal but suppressed territory are woven into a fiction of the whole . The courage of Chance in sounding the analogical echoes among meta- physics , selfhood , marriage , society , language ...
Pagina 107
... tive program snags on the passion of a native girl in Lord Jim or the nature of a lie in Heart of Darkness . Such moments force repressed con- tradictions to the surface in ways that etch the labyrinthine pattern of cultural processes ...
... tive program snags on the passion of a native girl in Lord Jim or the nature of a lie in Heart of Darkness . Such moments force repressed con- tradictions to the surface in ways that etch the labyrinthine pattern of cultural processes ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing