The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 12
... traditional structuralist , I might offer a diagram to illustrate : Modes Referential Focus Representational " Realism " -making pic- tures of the " world " Constitutive " Irrealism " -various types of “ fabulation ” Reflexive Focus ...
... traditional structuralist , I might offer a diagram to illustrate : Modes Referential Focus Representational " Realism " -making pic- tures of the " world " Constitutive " Irrealism " -various types of “ fabulation ” Reflexive Focus ...
Pagina 171
... traditional terminology in talking about the relation between the author and his work . For example , he states that " the whole meaning and com- mitment of the person who creates will permeate his creations , however varied their ...
... traditional terminology in talking about the relation between the author and his work . For example , he states that " the whole meaning and com- mitment of the person who creates will permeate his creations , however varied their ...
Pagina 185
... traditional ways of talking about authors impede " the free circulation , the free manipulation , the free composition , decomposition , and recomposition of fiction , " as Foucault puts it . Apparent contradictions become func- tions ...
... traditional ways of talking about authors impede " the free circulation , the free manipulation , the free composition , decomposition , and recomposition of fiction , " as Foucault puts it . Apparent contradictions become func- tions ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing