The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 48
... truth which came from those lips ? " thus - depending upon whether one has the relative clause modify " truth " or “ what ” -querying what is truth if it emerges from those lips , what from those lips could be called truth , and who ...
... truth which came from those lips ? " thus - depending upon whether one has the relative clause modify " truth " or “ what ” -querying what is truth if it emerges from those lips , what from those lips could be called truth , and who ...
Pagina 125
... Truth . But we must have it . " The first two sen- tences are disturbing only if we take such conventionalized gestures literally , containing as they do an admission ( Do we ever know that we have the truth ? ) we normally prefer not ...
... Truth . But we must have it . " The first two sen- tences are disturbing only if we take such conventionalized gestures literally , containing as they do an admission ( Do we ever know that we have the truth ? ) we normally prefer not ...
Pagina 144
... truth " within the realm of reason . If I make up the definition of a mammal , and then , after inspecting a camel , declare “ look , a mammal , " I have indeed brought a truth to light in this way , but it is a truth of limited value ...
... truth " within the realm of reason . If I make up the definition of a mammal , and then , after inspecting a camel , declare “ look , a mammal , " I have indeed brought a truth to light in this way , but it is a truth of limited value ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing