The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 16
... voice , perhaps one of the vaguer terms in the critical vocabulary . " Voice , " the rubric under which we analyze the " speaker " of a text , carries with it a range of obvious anthropomorphic connotations that Vanity Fair undermines ...
... voice , perhaps one of the vaguer terms in the critical vocabulary . " Voice , " the rubric under which we analyze the " speaker " of a text , carries with it a range of obvious anthropomorphic connotations that Vanity Fair undermines ...
Pagina 17
... voice carrying these stances . The Ironic Voice We are accustomed to ordering the language of narrative voice into the contours of an individual identity that we project behind it ; we assume there is a person talking to us , as if on a ...
... voice carrying these stances . The Ironic Voice We are accustomed to ordering the language of narrative voice into the contours of an individual identity that we project behind it ; we assume there is a person talking to us , as if on a ...
Pagina 26
... voice . " Rather than the presence of an individual viewpoint , voice signifies the endlessly inter- textual and mutually constitutive conventions interacting to form a " voice . " It is a personal voice only if we revise the ...
... voice . " Rather than the presence of an individual viewpoint , voice signifies the endlessly inter- textual and mutually constitutive conventions interacting to form a " voice . " It is a personal voice only if we revise the ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing