The Politics of Reflexivity: Narrative and the Constitutive Poetics of CultureJohns Hopkins University Press, 1986 - 271 pagina's |
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Pagina 128
... words of the hymn ran through his head " ( 165 ) . The terms of his self - conceptions and actions quite literally de- rive from textual systems of belief all sharing a metaphysical dualism . That this is true for other characters as ...
... words of the hymn ran through his head " ( 165 ) . The terms of his self - conceptions and actions quite literally de- rive from textual systems of belief all sharing a metaphysical dualism . That this is true for other characters as ...
Pagina 129
... words tingled in Jeremiah's mind , as he watched Mr. Madison ascend the ladder , and disappear . Beaumont will never hang , Beau- mont will never hang , like the refrain of a ballad or old song forgotten from some desperate violence of ...
... words tingled in Jeremiah's mind , as he watched Mr. Madison ascend the ladder , and disappear . Beaumont will never hang , Beau- mont will never hang , like the refrain of a ballad or old song forgotten from some desperate violence of ...
Pagina 142
... words are all there before us on the yellowing , curling sheets . Or is there the paradox that even in that knowledge , even when it is truly had , man must put down the words , must make the record ? For even when that knowledge of ...
... words are all there before us on the yellowing , curling sheets . Or is there the paradox that even in that knowledge , even when it is truly had , man must put down the words , must make the record ? For even when that knowledge of ...
Inhoudsopgave
Narrative Reflexivity and Constitutive Poetics | 1 |
Conrad Early Modernism and the Narrators | 66 |
FOUR | 122 |
Copyright | |
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apparent argues assumptions attempt becomes begins chance chapter characters codes coherence comes concept constitutive conventions course critical cultural depends desire discourse economic effect effort elements example existence expectations experience fact feels fiction figure final force Fowles frame function ground hand Hence human identity imagination individual interest interpretation issues Jeremiah kind language least less light limits lines literary living look mark Marlow material matter means Metafiction metaphor metaphysical moral narrative narrator narrator's nature novel object passage perhaps play plot poetics position possible Powell question reader reading reality reference reflect reflexive relation rhetorical role romantic seeks seems seen semiotic sense shape social stance story structure suggests tells textual theory things tion traditional truth turns University Press voice writing