SurrealismHarry N. Abrams, 1973 - 144 pagina's |
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Pagina 12
... Dadaists liked to inform and , at the same time , stir up their audiences by means of manifestos . " The manifesto as literary expression had the directness we de- sired . We wanted to lose no time , we wanted to provoke our enemies ...
... Dadaists liked to inform and , at the same time , stir up their audiences by means of manifestos . " The manifesto as literary expression had the directness we de- sired . We wanted to lose no time , we wanted to provoke our enemies ...
Pagina 12
... Dadaists liked to inform and , at the same . · time , stir up their audiences by means of manifestos . " The manifesto as literary expression had the directness we de- sired . We wanted to lose no time , we wanted to provoke our enemies ...
... Dadaists liked to inform and , at the same . · time , stir up their audiences by means of manifestos . " The manifesto as literary expression had the directness we de- sired . We wanted to lose no time , we wanted to provoke our enemies ...
Pagina 20
... Dadaists who had just begun to sever their own connections with the group . Ernst had learned from De Chirico and from Freud that incongruous combination and verism are two methods by which conscious logic can be replaced by dream logic ...
... Dadaists who had just begun to sever their own connections with the group . Ernst had learned from De Chirico and from Freud that incongruous combination and verism are two methods by which conscious logic can be replaced by dream logic ...
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aesthetic André Breton André Masson antiart Aragon Arshile Gorky Artaud artists automatic writing avant-garde Beaux-Arts Bellmer Berlin bibl Böcklin cadavre exquis Chien Andalou collage Cologne Colorplate consciousness Crevel Dada Dadaists Dali's decalcomania Delvaux developed dream elements Eluard film France Francis Picabia Freud frottage Galerie Pierre Giacometti Gradiva Hans Bellmer Hausmann Huelsenbeck idea incongruous combination inspiration Julien Levy Gallery kind L'Age d'or La Révolution surréaliste later Lautréamont Luis Buñuel magazine Matta Max Ernst Méret Oppenheim metamorphosis method middle-class Miró Modern Art motif Museum of Modern Naville objects Oelze Oil on canvas Oscar Dominguez Paalen painters Péret Picasso pictorial picture Pierre in Paris Pierre Roy political principle Private collection produced realist reality René Magritte revolution Révolution surréaliste revolutionary Salvador Dali semiautomatic Soupault Surrealism Surrealist art Surrealist exhibition Surrealist group Surrealist manifesto Surrealist movement technique tion Tzara Un Chien Andalou unconscious unterzeichnen Verism York City Yves Tanguy