Dada: Art and Anti-art |
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Pagina 145
George Grosz was decidedly surly ; the hatred in his pictures often overflowed
into his private life . But Schwitters was not one to be put off . He wanted to meet
Grosz , so Mehring took him up to Grosz ' s flat . Schwitters rang the bell and
Grosz ...
George Grosz was decidedly surly ; the hatred in his pictures often overflowed
into his private life . But Schwitters was not one to be put off . He wanted to meet
Grosz , so Mehring took him up to Grosz ' s flat . Schwitters rang the bell and
Grosz ...
Pagina 232
Ed : George Grosz and Franz Jung . No . 1 MalikVerlag , Berlin , is February 1919
. Die Schammade . Ed . by Max Ernst . Cologne , 1920 . ( One number only . ) Ma
( * Today ' ) . Per . Ed : Ludwig Kassák . Vienna , 1918 – 25 . ( In Hungarian . ) ...
Ed : George Grosz and Franz Jung . No . 1 MalikVerlag , Berlin , is February 1919
. Die Schammade . Ed . by Max Ernst . Cologne , 1920 . ( One number only . ) Ma
( * Today ' ) . Per . Ed : Ludwig Kassák . Vienna , 1918 – 25 . ( In Hungarian . ) ...
Pagina 234
1913 . GROSZ , George . Kleine Grosz - Mappe . Berlin - Halensee , 1917 . Das
Gesicht der herrschenden Klasse . Berlin , 1921 . Ecce Homo . Berlin , 1923 . Die
Kunst ist in Gefahr ; Drei Aufsätze . Berlin , 1925 . 30 Drawings and Watercolors .
1913 . GROSZ , George . Kleine Grosz - Mappe . Berlin - Halensee , 1917 . Das
Gesicht der herrschenden Klasse . Berlin , 1921 . Ecce Homo . Berlin , 1923 . Die
Kunst ist in Gefahr ; Drei Aufsätze . Berlin , 1925 . 30 Drawings and Watercolors .
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 1915_1920 | 81 |
ReadyMades | 89 |
Copyright | |
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Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called carried chance close collages colours created critic Dada Dadaist developed direction drawing Duchamp elements Ernst everything exhibition experience expression fact finally followed France freedom French friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas important individual Italy Janco language later less lived looked manifesto Marcel meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
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