Dada: Art and Anti-art |
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Pagina 102
Wieland Herzfelde was a practical man like his namesake , Wayland the smith -
god . His brother Johann , alias John , had changed his name from Herzfelde to
Heartfield out of love for his own romantic vision of America ( Ill . 52 ) .
Wieland Herzfelde was a practical man like his namesake , Wayland the smith -
god . His brother Johann , alias John , had changed his name from Herzfelde to
Heartfield out of love for his own romantic vision of America ( Ill . 52 ) .
Pagina 110
Neither Herzfelde nor Heartfield ever needed a political side - door . They have
stuck consistently to the Party Line from that day to this . Before the war their
mouthpiece was Neue Jugend ; after the war it was Dada . Herzfelde later started
a ...
Neither Herzfelde nor Heartfield ever needed a political side - door . They have
stuck consistently to the Party Line from that day to this . Before the war their
mouthpiece was Neue Jugend ; after the war it was Dada . Herzfelde later started
a ...
Pagina 242
Herzfelde , Wieland 102 , 108 , 109 , 110 , 112 , 114 , 117 - 8 , 129 , 132 , 134
Heusser , Hans 42 , 78 , 80 Higgins , Edward 213 Torso , 1962 111 Hindemith ,
Paul 198 , 221 Hirschfeld , Dr Magnus 112 Hoddis , Jakob van 17 Hoech ,
Hannah ...
Herzfelde , Wieland 102 , 108 , 109 , 110 , 112 , 114 , 117 - 8 , 129 , 132 , 134
Heusser , Hans 42 , 78 , 80 Higgins , Edward 213 Torso , 1962 111 Hindemith ,
Paul 198 , 221 Hirschfeld , Dr Magnus 112 Hoddis , Jakob van 17 Hoech ,
Hannah ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 1915_1920 | 81 |
ReadyMades | 89 |
Copyright | |
9 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called carried chance close collages colours created critic Dada Dadaist developed direction drawing Duchamp elements Ernst everything exhibition experience expression fact finally followed France freedom French friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas important individual Italy Janco language later less lived looked manifesto Marcel meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
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