Dada: Art and Anti-art |
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Pagina 81
It began with the ideas of the photo - fanatic Alfred Stieglitz . The catalyst here
was not a night - club , not a sceptical philosopher like Ball , but a little
photographic gallery and this cheerful , aggressive photographer . Stieglitz can
be regarded ...
It began with the ideas of the photo - fanatic Alfred Stieglitz . The catalyst here
was not a night - club , not a sceptical philosopher like Ball , but a little
photographic gallery and this cheerful , aggressive photographer . Stieglitz can
be regarded ...
Pagina 82
In March 1911 there were Cézanne watercolours and in April some cubist
drawings and watercolours by Picasso . In 1912 he showed Matisse ' s sculpture .
. . " Stieglitz now sought to form a group of those young American painters who
were ...
In March 1911 there were Cézanne watercolours and in April some cubist
drawings and watercolours by Picasso . In 1912 he showed Matisse ' s sculpture .
. . " Stieglitz now sought to form a group of those young American painters who
were ...
Pagina 83
Stieglitz himself did not cause this explosion , but it was his dauntless
championship of modern attitudes to photography and painting that set the scene
, and prepared the minds of the public , for the bombshell that was the 1913
Armory Show .
Stieglitz himself did not cause this explosion , but it was his dauntless
championship of modern attitudes to photography and painting that set the scene
, and prepared the minds of the public , for the bombshell that was the 1913
Armory Show .
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 1915_1920 | 81 |
ReadyMades | 89 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called carried chance close collages colours created critic Dada Dadaist developed direction drawing Duchamp elements Ernst everything exhibition experience expression fact finally followed France freedom French friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas important individual Italy Janco language later less lived looked manifesto Marcel meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |