Dada: Art and Anti-artH.N. Abrams, 1970 - 246 pagina's |
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Pagina 49
... experience , it is exposed to the same risks , the same un- foreseeable laws of chance , the same interplay of living forces . Art is no longer a ' serious and weighty ' emotional stimulus , nor a sentimental tragedy , but the fruit of ...
... experience , it is exposed to the same risks , the same un- foreseeable laws of chance , the same interplay of living forces . Art is no longer a ' serious and weighty ' emotional stimulus , nor a sentimental tragedy , but the fruit of ...
Pagina 51
... experience of Dada , that which marks it off from all preceding artistic movements . This experience taught us that we were not so firmly rooted in the knowable world as people would have us believe . We felt that we were coming into ...
... experience of Dada , that which marks it off from all preceding artistic movements . This experience taught us that we were not so firmly rooted in the knowable world as people would have us believe . We felt that we were coming into ...
Pagina 91
... experience in order to give this experience value . Modern science and the state of civilization in the first half of the twentieth century have destroyed the basis of such a demonstration . But the abyss that opened before Descartes is ...
... experience in order to give this experience value . Modern science and the state of civilization in the first half of the twentieth century have destroyed the basis of such a demonstration . But the abyss that opened before Descartes is ...
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Veelvoorkomende woorden en zinsdelen
abstract aesthetic André Breton Anna Blume anti-art anti-artistic Apollinaire appeared Aragon artistic audience Baader Baargeld Barrès became bee bee bee Berlin Dada bourgeois Cabaret Voltaire Café called cardboard chance cœur collages Cologne colours Cravan critic Cubist Dada movement Dada period Dada's Dadaist dance Doesburg Eggeling Éluard exhibition film France Francis Picabia freedom French friends Futurist gallery gave George Grosz Hanover Hans Arp Hans Richter Hausmann Heartfield Herr Hugo Ball human ideas individual Jung Kandinsky Kurt Schwitters later lived manifestoes Marcel Duchamp Marcel Janco Max Ernst Merz modern Neo-Dada never objects painter painting Paris Dada Paul Dermée Péret phonetic poem photomontage played poème poet poetry Portrait published ready-mades Rees Ribemont-Dessaignes Richard Huelsenbeck Richter Serner Soupault spontaneity Stieglitz Stijl Surrealism Surrealist technique things took totally Tristan Tzara Vaché word York zee zee zee Zurich Dada
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |