Dada: Art and Anti-art |
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Pagina 12
But it was only in one of these that the magic fusion of personalities and ideas
took place which is essential to the formation of a movement . The peculiarly
claustrophobic and tense atmosphere of neutral Switzerland in the middle of the
Great ...
But it was only in one of these that the magic fusion of personalities and ideas
took place which is essential to the formation of a movement . The peculiarly
claustrophobic and tense atmosphere of neutral Switzerland in the middle of the
Great ...
Pagina 49
Our search , as visual artists , for the true ' language of Paradise ' went much
deeper than the wild anti - art propaganda of the movement ' s published
statements , which was based on social , moral and psychological arguments .
Our search , as visual artists , for the true ' language of Paradise ' went much
deeper than the wild anti - art propaganda of the movement ' s published
statements , which was based on social , moral and psychological arguments .
Pagina 108
Thus we do not know who was the real father of the Berlin Dada movement , but ,
as the two candidates for the title both have the same initials , the chronicler can
best avoid error by awarding the disputed honour to ' RH ' and leaving the ...
Thus we do not know who was the real father of the Berlin Dada movement , but ,
as the two candidates for the title both have the same initials , the chronicler can
best avoid error by awarding the disputed honour to ' RH ' and leaving the ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 19151920 | 81 |
Berlin Dada 19181923 | 101 |
Copyright | |
9 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called carried chance close collages colours critic Dada Dadaist developed direction drawing Duchamp elements Ernst everything exhibition experience expression fact finally followed France freedom French friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas important individual Italy Janco language later less lived looked manifesto Marcel meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |