Dada: art and anti-art |
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Pagina 116
"The field of photomontage has as many possibilities as there are changes in the
milieu, its social structure and the resulting psychological superstructure - and the
milieu alters every day . . ." "Photomontage in its earliest form was an explosive ...
"The field of photomontage has as many possibilities as there are changes in the
milieu, its social structure and the resulting psychological superstructure - and the
milieu alters every day . . ." "Photomontage in its earliest form was an explosive ...
Pagina 117
Hausmann's claim to be the nventor of photomontage is supported by a story told
to me by his former riend Hannah Hoech, now decidedly not on friendly terms
with him. i 1917 or 1918, Hausmann and she had rented a room in Gribow, near
...
Hausmann's claim to be the nventor of photomontage is supported by a story told
to me by his former riend Hannah Hoech, now decidedly not on friendly terms
with him. i 1917 or 1918, Hausmann and she had rented a room in Gribow, near
...
Pagina 118
Heartfield's photomontages had their own flavour just as Hausmann's had.
Heartfield's montages were often classically composed; Hausmann's were wild
and explosive, not to be contained by any aesthetic framework. Hausmann's
were ...
Heartfield's photomontages had their own flavour just as Hausmann's had.
Heartfield's montages were often classically composed; Hausmann's were wild
and explosive, not to be contained by any aesthetic framework. Hausmann's
were ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 19151920 | 81 |
ReadyMades | 89 |
Copyright | |
8 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract aesthetic Anna Blume anti-art anti-artistic Apollinaire appeared Aragon Arp's Arthur Cravan artistic audience Baader Baargeld Ball's became Berlin Dada bourgeois Breton Cabaret Voltaire called cardboard chance collages Cologne colours critic Cubist Dada movement Dada period Dada's Dadaist dance Doesburg drawing Eggeling Eluard Emmy everything exhibition experience film freedom French friends Futurist gallery gave George Grosz German Hannah Hoech Hanover Hausmann Heartfield Herr Herzfelde Hugo Ball human ideas individual Jung Kandinsky Kurt Schwitters later literary lived manifesto Marcel Duchamp Marcel Janco Max Ernst meaning Mehring Merz modern art Neo-Dada never objects painter painting Paris Dada phonetic poem photographs photomontage Picabia played poet poetry political provocations published ready-mades revolution Ribemont-Dessaignes Richard Huelsenbeck Richter Sophie Sophie Taeuber Soupault spontaneity Stieglitz Surrealism Surrealist technique things took totally Tristan Tzara turned visual Walter Serner word York Zurich Zurich Dada
Bibliografische gegevens
| Titel | Dada: art and anti-art |
| Auteur | Hans Richter |
| Uitgever | Harry Abrams, Inc., Pub., 1965 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 15 nov 2007 |
| Lengte | 246 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |