Dada: Art and Anti-art |
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Pagina 116
The field of photomontage has as many possibilities as there are changes in the
milieu , its social structure and the resulting psychological superstructure - and
the milieu alters every day . . . " " Photomontage in its earliest form was an ...
The field of photomontage has as many possibilities as there are changes in the
milieu , its social structure and the resulting psychological superstructure - and
the milieu alters every day . . . " " Photomontage in its earliest form was an ...
Pagina 117
Hausmann ' s claim to be the Inventor of photomontage is supported by a story
told to me by his former Criend Hannah Hoech , now decidedly not on friendly
terms with him . * 1 1917 or 1918 , Hausmann and she had rented a room in
Gribow ...
Hausmann ' s claim to be the Inventor of photomontage is supported by a story
told to me by his former Criend Hannah Hoech , now decidedly not on friendly
terms with him . * 1 1917 or 1918 , Hausmann and she had rented a room in
Gribow ...
Pagina 118
Heartfield ' s photomontages had their own flavour just as Hausmann ' s had . ...
Hausmann gives this explanation of the use of the term ' photomontage ' to
describe this technique : “ We called this process photomontage because it
embodied ...
Heartfield ' s photomontages had their own flavour just as Hausmann ' s had . ...
Hausmann gives this explanation of the use of the term ' photomontage ' to
describe this technique : “ We called this process photomontage because it
embodied ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 1915_1920 | 81 |
ReadyMades | 89 |
Copyright | |
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Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called carried chance close collages colours created critic Dada Dadaist developed direction drawing Duchamp elements Ernst everything exhibition experience expression fact finally followed France freedom French friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas important individual Italy Janco language later less lived looked manifesto Marcel meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
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Shamanism, Colonialism, and the Wild Man: A Study in Terror and Healing Michael T. Taussig Geen voorbeeld beschikbaar - 1991 |