Dada: Art and Anti-art |
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Pagina 9
The new ethic took sometimes a positive , sometimes a negative form , often
appearing as art and then again as the negation of art , at times deeply moral and
at other times totally amoral . It is understandable that art historians ,
professionally ...
The new ethic took sometimes a positive , sometimes a negative form , often
appearing as art and then again as the negation of art , at times deeply moral and
at other times totally amoral . It is understandable that art historians ,
professionally ...
Pagina 183
Humour , anti - seriousness , was the basic Dada attitude : the irony of a bluff
totally without good - humour . Mockery of all the values of bourgeois society , of
all its debased and phony ideals of decency and morality , of religion , state and ...
Humour , anti - seriousness , was the basic Dada attitude : the irony of a bluff
totally without good - humour . Mockery of all the values of bourgeois society , of
all its debased and phony ideals of decency and morality , of religion , state and ...
Pagina 203
( Nietzsche ) 2 ) " Art must first be totally despised , it must first be thought totally
pointless , before it can once more come into its own . ” ( Philipp Otto Runge ) 3 ) “
I have seldom seen so much inventiveness combined with so little talent .
( Nietzsche ) 2 ) " Art must first be totally despised , it must first be thought totally
pointless , before it can once more come into its own . ” ( Philipp Otto Runge ) 3 ) “
I have seldom seen so much inventiveness combined with so little talent .
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LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 1915_1920 | 81 |
ReadyMades | 89 |
Copyright | |
9 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract activities already anti-art appeared artistic audience Baader Ball became become began Berlin Breton brought Cabaret Voltaire called carried chance close collages colours created critic Dada Dadaist developed direction drawing Duchamp elements Ernst everything exhibition experience expression fact finally followed France freedom French friends gallery gave German Grosz hand Hausmann head Huelsenbeck human ideas important individual Italy Janco language later less lived looked manifesto Marcel meaning mind move movement nature never objects painter painting Paris performance periodical Picabia played poems poet poetry political Pop Art possible present produced published remained Richter Schwitters seemed showed side sound taken things took Tristan Tzara true turned Tzara wanted whole writes York Zurich
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