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Pagina 87
land, Germany and Russia were developing styles of their own with totally new
materials adopted as a protest against the tyranny of oils? With Schwitters, the
result was lyricism, with Arp, humour; and with Picabia it was penetrating wit.
land, Germany and Russia were developing styles of their own with totally new
materials adopted as a protest against the tyranny of oils? With Schwitters, the
result was lyricism, with Arp, humour; and with Picabia it was penetrating wit.
Pagina 139
But what Schwitters made of the poem, and the way he spoke it, were totally
unlike Hausmann. Hausmann always gave the impression that he harboured a
dark menacing hostility to the world. His extremely interesting phonetic poems ...
But what Schwitters made of the poem, and the way he spoke it, were totally
unlike Hausmann. Hausmann always gave the impression that he harboured a
dark menacing hostility to the world. His extremely interesting phonetic poems ...
Pagina 183
Humour, anti-seriousness, was the basic Dada attitude: the irony of a bluff totally
without good-humour. Mockery of all the values of bourgeois society, of all its
debased and phony ideals of decency and morality, of religion, state and
fatherland ...
Humour, anti-seriousness, was the basic Dada attitude: the irony of a bluff totally
without good-humour. Mockery of all the values of bourgeois society, of all its
debased and phony ideals of decency and morality, of religion, state and
fatherland ...
Wat mensen zeggen - Een review schrijven
LibraryThing Review
Gebruikersrecensie - tallangatta - LibraryThingA wonderful exuberant and conversational first-hand account of the activities of the Zurich Dadaists. One of my favourite books of all. Volledige review lezen
Inhoudsopgave
Foreword | 7 |
New York Dada 19151920 | 81 |
ReadyMades | 89 |
Copyright | |
8 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
abstract aesthetic Anna Blume anti-art anti-artistic Apollinaire appeared Aragon Arp's Arthur Cravan artistic audience Baader Baargeld Ball's became Berlin Dada bourgeois Breton Cabaret Voltaire called cardboard chance collages Cologne colours critic Cubist Dada movement Dada period Dada's Dadaist dance Doesburg drawing Eggeling Eluard Emmy everything exhibition experience film freedom French friends Futurist gallery gave George Grosz German Hannah Hoech Hanover Hausmann Heartfield Herr Herzfelde Hugo Ball human ideas individual Jung Kandinsky Kurt Schwitters later literary lived manifesto Marcel Duchamp Marcel Janco Max Ernst meaning Mehring Merz modern art Neo-Dada never objects painter painting Paris Dada phonetic poem photographs photomontage Picabia played poet poetry political provocations published ready-mades revolution Ribemont-Dessaignes Richard Huelsenbeck Richter Sophie Sophie Taeuber Soupault spontaneity Stieglitz Surrealism Surrealist technique things took totally Tristan Tzara turned visual Walter Serner word York Zurich Zurich Dada
Bibliografische gegevens
| Titel | Dada: art and anti-art |
| Auteur | Hans Richter |
| Uitgever | Harry Abrams, Inc., Pub., 1965 |
| Oorspronkelijk uit | de University of Michigan |
| Gedigitaliseerd | 15 nov 2007 |
| Lengte | 246 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |