The History of Surrealism |
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Pagina 62
Thus we hope that the novelty which will be the same thing as what we no longer want will come into being less rotten , less immediately GROTESQUE.5 The audience , there to see Charlie Chaplin whose presence the organizers had ...
Thus we hope that the novelty which will be the same thing as what we no longer want will come into being less rotten , less immediately GROTESQUE.5 The audience , there to see Charlie Chaplin whose presence the organizers had ...
Pagina 164
It matters little whether his blows have been dealt with more or less severity , with more or less discernment . Surrealism - it was a fact - risked slipping , because of individuals and their reluctance to hold fast to those high ...
It matters little whether his blows have been dealt with more or less severity , with more or less discernment . Surrealism - it was a fact - risked slipping , because of individuals and their reluctance to hold fast to those high ...
Pagina 249
It is only afterward that we can come to words and to the more or less radical means of acting upon them . Actually , the operation is generally an unconscious one - among those who have something to say , of course — and one must be ...
It is only afterward that we can come to words and to the more or less radical means of acting upon them . Actually , the operation is generally an unconscious one - among those who have something to say , of course — and one must be ...
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Inhoudsopgave
LOVE AND LAUGHTER SURREALISM | 11 |
REAPPRAISED Roger Shattuck | 34 |
FOREWORD | 35 |
Copyright | |
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action activity already André Breton appear Aragon artistic attempt become believe born certain claimed collective Communist continue course Dada Dali desire Desnos dream Editor Éluard entirely Ernst everything exists experiment expression eyes fact follow forces France French friends Georges give hand hope human ideas individual Jacques Jean kind less letter live longer Manifeste March Marxism material matter means merely MICHIGAN mind moral movement nature Naville never object once organ Painter Party pass Paul Péret period permit Pierre poem poet poetic poetry political position possible present problems published question reason regard relation remains Revolution revolutionary seems social SSSR surrealism surrealist group things thought tion true turn unconscious wife writing