The History of Surrealism |
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Pagina 68
... from this moment on , the new series of Littérature ( March 1922 - June 1924 ) . has nothing more to do with Dada ; it is the organ of a new current which no longer intends to confine itself to destructive agitation .
... from this moment on , the new series of Littérature ( March 1922 - June 1924 ) . has nothing more to do with Dada ; it is the organ of a new current which no longer intends to confine itself to destructive agitation .
Pagina 122
... Paul Guitard , Benjamin Péret , Michel Leiris , André Masson , Philippe Soupault , Victor Serge . Things had gone far enough so that Marcel Fourrier , in the editorial , could present the future new organ as the expression of the ...
... Paul Guitard , Benjamin Péret , Michel Leiris , André Masson , Philippe Soupault , Victor Serge . Things had gone far enough so that Marcel Fourrier , in the editorial , could present the future new organ as the expression of the ...
Pagina 200
Translation : We have no organ of our own to express ourselves . This was indeed the case : the last number of Le Surréalisme au service de la révolution bears the date May 15 , 1933 . No new surrealist review succeeded it .
Translation : We have no organ of our own to express ourselves . This was indeed the case : the last number of Le Surréalisme au service de la révolution bears the date May 15 , 1933 . No new surrealist review succeeded it .
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Inhoudsopgave
LIST OF ILLUSTRATIONS | 9 |
FOREWORD Maurice Nadeau | 35 |
THE WAR | 43 |
Copyright | |
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action activity already André Breton answer appeared Aragon artistic attack attempt become believe born called certain claimed Communist continued course Dada desire Desnos dream editors Éluard entirely everything exists experiment expression eyes fact follow forces France French friends Georges give hand hope human ideas individual Jacques kind less letter literary living longer Manifeste March material matter means merely MICHIGAN mind moral movement nature Naville never object once organ Painter painting Party pass Paul Péret period Pierre poem poet poetic poetry political position possible present problems published question reason regard relations remains Revolution revolutionary Rimbaud seems social surrealism surrealist surrealist group things thought tion true turn wife writing